Attempts to diminish the achievements of Apollo 11 and to reassign credit don’t just taint the 50th anniversary of the moon landing, but presage the technological decline of the US if it persists with identity politics.

As the Founding Fathers are now rarely mentioned in the media without side notes about their slave ownership, and the Betsy Ross flag is offensive to Colin Kaepernick and Nike, there is nothing new about liberal attempts to strike at the very heart of American identity.

But – leaving aside the conspiracy theorists – the moment Neil Armstrong stepped on the surface of the Moon on July 20, 1969 was objectively such a universal milestone that to qualify it seems a fight against human endeavor itself.

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Heroes retconned

It would seem like the more logical route, for those who resent that this was an achievement of white un-woke America to attempt, was to try and diminish their role in favour of supposedly unsung heroes.

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Hidden Figures, the Oscar-winning film from 2016 was the perfect archetype of this revisionist history, exaggerating and fictionalizing the role of a cadre of politically suitable black women, who did an entirely replaceable job and were no more important than thousands of others involved.

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This way everyone would get to celebrate their own role models, even though in time such worthy changes of focus can end up with grotesque urban myths, like Crick and Watson stealing the Nobel Prize from (the actually dead) Rosalind Franklin.

Celebrating white men in the age of Trump

But while this unifying narrative, where people of different races and varying attainments are placed alongside each other in anniversary pieces, a more sour, radicalized note has begun to surface, compared to celebrations even five years ago, pre-Donald Trump.

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It is not yet dominant, but persistent enough to be more than a coincidence.

“The culture that put men on the moon was intense, fun, family-unfriendly, and mostly white and male,” tweeted the Washington Post, over a behind-the-scenes look at the life of those involved in the program.

“In archival Apollo 11 photos and footage, it’s a ‘Where’s Waldo?’ exercise to spot a woman or person of color,” it continued in the article itself.

“We chose to go to the moon. Or at least, some did: watching [documentary film] Apollo 11, it is impossible not to observe that nearly every face you see is white and male,” left-wing magazine New Statesman wrote in a recent piece.

A recent Guardian review of the documentary Armstrong features the writer talking about “good ol’ boys from NASA – elderly white men every one of them, who you suspect are still pining for the days of American life when men were men and women waited by the phone in headscarves,” though no evidence is given for the assertion.

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Why wasn’t von Braun a black woman?

This is not just bigoted, but astonishing in its unfairness.

Buzz Aldrin and Michael Collins could not have helped being white at birth.

George Mueller and Max Faget were not proverbial “mediocre white men” – the achievements are tangible.

No one at NASA could have helped living in 1960s America, or made its social structures, workplace roles, and demographics fit in with 2019 journalists’ conceptions. For God’s sake, many were Germans who had served the Nazi Party with varying degrees of reluctance during World War II, before being whisked away through Operation Paperclip – how do they fit into 21st century privilege hierarchies? Could Wernher von Braun have been an African-American woman from Louisiana? (RT)